Casino Versus Japan Tour Packages
Casino Versus Japan Tours
Casino Versus Japan Tourist

Not long ago the Moodgadget label gave us a reminder of Casino Versus Japan's sizable contribution to the field of electronica, reissuing the eponymous debut from 1998. Now, Attacknine delves even further, presenting a collection of twenty previously unreleased works from the CVsJ archive. These tracks date back to 2002, when Attacknine co-founder (and member of the duo Freescha) Nick. In another section, entitled Bad Versus Good Online Casinos, we’ll also show you how to tell the out the best online casino games from the worst. In our Bad Versus Good Online Casino Bonuses, we’ll tell you where you need to go to make sure that you’re maximizing your bankroll – right from the start. Casino Versus Japan hasn’t released anything in nearly 6 years and having the honor last weekend to have him play a show with Tycho and now them working together on this release creatively, plus ISO50 merchandise on the way I think we will have ourselves something special that will be loved for many more years. /r/CasinoVersusJapan is designed as a hub for fans of Casino Versus Japan to discuss albums, projects, tour information, and more. Feel free to post your favorite song, video, or news. Casino legalization means a ban on private-sector gambling will be lifted for the first time ever in Japan — a historic policy shift in a nation where gambling has long been outlawed.

A veteran Wisconsin experimental musician makes a rare public appearance.

Casino Versus Japan Tour Packages

Experimental musician Erik Kowalski is best known for his long-running project Casino Versus Japan, which over the course of 20 years has ranged from the beat-driven space-outs of recordings like 2000's Go Hawaii to the ambient processed-guitar glimmer of last year's Suicide By Sun. Kowalski almost goes out of his way to avoid attention, although the music itself is available on Bandcamp and he toured with Deerhunter in 2010. And it's not necessarily a charismatic sort of obscurity: He seems largely content to hunker down in his home base of Green Bay, playing very few live shows and doing very little press or promotion—his most recent contact with the media seems to be a lovely mix for Fact in 2018. He told Bandcamp Daily in 2016 that he likes 'being part of a working class community where things aren’t part of a scene,' though he did play a more prominent role once in Milwaukee's music scene.

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That Casino Versus Japan has such areverentfollowing is a testament to Kowalski's supple and clear-eyed manipulation of sound. Even in the intimidating expanse of his 2016 album Frozen Geometry—which spans 80 tracks and more than three hours—Kowalski largely focuses on concise tracks in which melodies firmly but gently tug against powerful atmospheres. He excels at combining guitar melodies, synths, and other sound sources into one pleasantly scratchy fabric. Whether giving his delay-soaked clean-toned guitar a more overt role—as on 'Barefoot Belle Of The Sun,' from Frozen Geometry—or favoring a bleary mass of sounds—see Suicide By Sun's 'Death To The Fictitious Light Cycle'—Casino Versus Japan masterfully disarms and immerses the listener. Kowalski is playing a live set at this afternoon/early-evening show. The host venue, dance-focused record store JiggyJamz, is asking those interested in attending to RSVP ahead of time. —Scott Gordon

Casino Versus Japan Tours

Casino Versus Japan Tourist

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